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Not A Cat Person?

Shane

I have never and will never consider myself to be a cat person. I have the feeling my cat would never consider himself to be a person cat so I guess that makes us even in that regard.

My daughter really wanted a pet and, well, she bosses me around even though she is 5 years old so getting a cat was a foregone conclusion. I fancy myself more of a dog person but they are so dependent that it just wouldn’t fit my current lifestyle, so I was left to choose between getting a cat or risking the disapproval and tears of the prettiest blonde-haired, blue-eyed girl I’ve ever known. You can figure out how easy that decision was for me to make. We got a cat.

We decided to adopt one from a local rescue shelter that was advertising they were overflowing with cats in need of a good home, so we headed out to make our (actually, let me be honest – her) choice. Now, once again, I will go on record that I am not a cat fella but she did pick out a pretty cute cat given our options.

We sat down to fill out the adoption paperwork and they asked “Ok, what’s its name going to be?” Before I could open my mouth with an opinion, my daughter says “School Bus.” This is where I finally put my foot down and told her flatly, “We can’t have a cat named School Bus, that’s just not a good name for a cat.” Instead, I made the executive decision that his name would be “Giddyup-oom-poppa-oom-poppa-meow-meow.” In all fairness to me, I had just seen the Oak Ridge Boys in concert so their song Elvira was fresh on my mind. Granted, that isn’t much of an excuse but it is what I cling to.

Also, it gave me a cheap thrill to think that one day someone at the veterinarian’s office would have to call out for “Giddyup-oom-poppa-oom-poppa-meow-meow Simmons? Giddyup-oom-poppa-oom-poppa-meow-meow Simmons?”  Yes, in hindsight our cat would be named School Bus if I could live life all over again. Long story (and name) short, we nicknamed him G, although sometimes we call him G Man, G Star, and, more recently, Geepers.

Thus began my life with a cat named G.

I would describe our relationship as a marriage of inconvenience.

He is constantly under my feet no matter where I step and, too many times to count, he has made me dance like Mr. Bojangles to avoid stepping on him. He seems displeased with the general speed in which I refill his food and water bowls, so he feels the need to be right at my heels to prod me along.

I’d rather clean out my toilet, do dishes by hand, clean out my gutters, and hand scrub my floors than have to change his litter. For his part, he can’t wait to “christen” the new litter once it has been changed.

Every so often, we will lock eyes in a tense icy stare that would put you in the mind of Clint Eastwood versus Eli Wallach in “The Good, the Bad and the Ugly.” You’d think we were about to draw on each other in a gunfight.

I look at him sometimes and think “you’re fat and lazy.” He looks at me sometimes and I can tell he is thinking “you’re fat and lazy.” Unfortunately, we are both right. It is actually what finally bonded us.

We have come to a silent agreement where he will lay on my lap and nap while I lean back in the recliner watching TV. It works out perfectly for both of us because he can sleep in peace and I have an excuse to not get out of my chair and do anything productive, I just think to myself “I better not move and bother the poor ol’ fella while he rests.”

I am not a cat person and he is not a person cat but we’ve managed to somehow make it work. Why, I think we are even role models for others for how to get past differences to make peace. In fact, I can even make it rhyme “Be like me and G.” Maybe, just maybe, if the Democrats and Republicans read this story then there will be hope in this world.

Shane

Blog

Mothers deserve recognition today and everyday. Changes in the body carrying a child, labor, nights of tending to sick children, worry and prayer, etc. are things all mothers will go through. But what does it mean to be an Appalachian Mother?

This picture is of my (Melody) great grandmother. We called her Granny Hawkins and when I think of her life, I think of the strength of Appalachian Mothers and how in so many ways the same attributes have been passed down, even though times have changed. Granny Hawkins was tough as nails. She kept a shotgun by her side, ready to defend her home and family from intruders (animal or human).

Appalachian Mommas have always had to be tough. My granny, like a lot of women, tended to the home and children alone a lot because the men were gone so much for work. My great grandpa traveled with the railroad and would be gone for weeks at a time. Appalachian Mommas have always had to be independent.

I know my Granny, my Grandma, and my own Momma have faced so much loss in their life. Things we can’t begin to comprehend as humans. But faith and strength pulled them through. How many of us know (or knew) Momma is the one you go to when you feel like you can’t go on? And so many times be directed to prayer and scripture. Appalachian Mommas have always been faithful.

There’s a reason “granny witches” were called granny instead of grandpa. Most of these healers/midwives were women. In our isolated mountains, women had to be smart and innovative to take care of others. They weren’t going to bury their heads when someone was hurting, sick, or even dying. They found ways to heal the ones around them. Appalachian Mommas have always been selfless caregivers.

Today and everyday, let’s appreciate the women in our lives who have made us who we are and cared for us at our lowest times. Being Appalachian is something ingrained in all of us. We all have amazing strengths, but let’s admit it, none of us would be here today without our Mothers.

Melody Mondays: The Unforgettable "Unknown Stuntman"

Shane

Well, it is a Monday so who couldn’t use a quick pick-me-up in the form of a catchy song? We like to keep our Melody Mondays balanced with music from all genres and eras, but this one might take the metaphorical cake. This week features a little tune by the name of “The Unknown Stuntman” by the pride of Middlesboro, Kentucky – Lee Majors. Yes, you may know it as the theme from the television show The Fall Guy and, yes, I am seriously posting this.

Now, I am known near and far as Lee Majors biggest fan but I found the backstory to the song to be interesting as well. Two of the co-writers on the song, Glen Larson and David Somerville, had both been in a vocal group known as The Four Preps – but they weren’t in the band at the same time. Larson left to pursue a career in television – he went on to develop several popular shows of the era including Battlestar Galactica, Knight Rider, and Magnum P.I. – and was replaced in the band by Somerville.

Video of “The Unknown Stuntman.”

For his part, Dave Somerville would go on to fame as a member of another popular vocal group known as The Diamonds. The Diamonds had a smash hit with “Little Darlin'” that spent eight weeks at #2 on the charts – they were kept out of the top spot by the one and only Elvis Presley. The song would end the year 1957 as the third best selling single of the year despite never making it to #1 on the charts.

Flash forward, Dave Somerville composed a song to be pitched for a television show about an unknown stuntman – which wasn’t The Fall Guy and wasn’t picked up by the network. A year later, Somerville brought the song to the attention of Glen Larson who, oddly enough, had an idea for a television show about a stuntman. The two pitched the show and song to ABC and the network agreed to consider picking up the program.

Lee Majors was chosen to star in the pilot (he had previously worked with Larson on The Six Million Dollar Man) and the decision was made to have him sing the song himself, rather than farm it out to a more accomplished singer. The end result was the iconic version of “The Unknown Stuntman” that we know and love (or hate, in some cases) today. The Fall Guy would go on to be a hit show and the theme song became very popular, they even released an extended version for radio airplay but it didn’t make a lot of noise on the charts.

“The Unknown Stuntman” is consistently listed on charts of best/most recognizable television theme songs, mainly powered by the lyrics “I’m not the kind to kiss and tell but I’ve been seen with Farrah” (an obvious tongue-in-cheek reference to Majors marriage to Farrah Fawcett) and “when I wind up in the hay, it’s only hay, hey-hey.”

Lee Majors in The Fall Guy.

Almost as unforgettable as those lyrics is the image of Lee Majors portraying Colt Seavers smoking a cigar in a bathtub while playing with a rubber duckie. On the show, Majors’ character Colt Seavers was a Hollywood stuntman who also did side work as a bounty hunter. The show aired from 1981-1986 but the theme song lives on to today.

How America's First Ammunition Was Made: The Jackson Ferry Shot Tower State Park in Austinville, Virginia

Shane

One piece of local history worth checking out is the Jackson Ferry Shot Tower located in Wythe County off the Ft. Chiswell exit. The tower began construction in the 1700s just after the end of the Revolutionary War and was used to make lead shot for use in the firearms of the day. The tower itself is 75 feet tall and has a shaft inside it that drops down another 75 feet close to the shore of the New River. The shot was made by taking firewood and lead to the top of the tower where there was a furnace that melted down the lead. The molten lead was then poured through a sifter that allowed the desired shot size to drop through.

The Jackson Ferry Shot Tower through the years.

As the led fell the 150 feet the resistance created by the fall would round it into shape and cool it off enough to keep form when it hit the bottom. At the bottom of the shaft was an awaiting kettle full of water into which the lead would plunge and finish cooling off into the hardened lead shot. This finished product would then be sold to merchants, traders, hunters, etc. for use in their firearms. The Jackson Ferry Shot Tower is one of only a handful still standing and is located right here in the good ol’ Appalachian Mountains.

Our video from the Jackson Ferry Shot Tower State Park.

Melody Mondays: Nina Simone's "Feeling Good"

Melody West

Today is the last Monday of February, which is Black History Month.  We are also right on the cusp of March, which is Women’s History Month.  What better day would there be to honor Miss Nina Simone for this Melody Monday?

Nina wouldn’t be the first many thought of when naming Appalachian artists, but with the title of “High Priestess of Soul,” she’s a very important one.  She was born Eunice Kathleen Waymon on February 21, 1933 in the small Appalachian town of Tryon, North Carolina.  Her mother and father both were Methodist preachers but earned a living as a housekeeper and a handy man.  Nina started playing piano by ear at the age of three and by six years old, she was playing piano in the church.

Nina Simone statue in Tryon, NC

Because of donations, Nina was able to attend an integrated private girls’ school in Asheville, where she graduated Valedictorian.  She went on to study at Juilliard on a one year scholarship, but left when her money ran out.  She started giving piano lessons for money, as well as taking professional piano lessons herself to chase her dreams.

It was in 1954 when she took a job as an entertainer at a bar and grill that she took on the name we all know her as now.  Knowing her mother would disapprove of her working in a bar setting, she adopted the name Nina (a nickname from an old boyfriend) and Simone (from a French actress).  It was during her work here that Nina signed on to a record label and released her first album, but that wasn’t where she stopped.

She moved to New York to continue pursuing her musical career.  She rejected the label of “jazz singer” and thought of herself more as a folk artist, incorporating gospel, blues, and pop.  As her career was rising, so were racial tensions during the time of the civil rights movement.  Nina performed benefit concerts, took part in marches, and recorded several songs that become seen as civil rights anthems. 

Nina Simone eventually moved to France where she passed away from breast cancer in 2003.  Her music influence was boundless, inspiring other great artists such as Aretha Franklin.  Nina herself was listed as the top 100 singers of all time by Rolling Stone magazine.  

Today, we honor her with the powerful song “Feeling Good”

Birds flyin’ high, you know how I feel
Sun in the sky, you know how I feel
Breeze driftin’ on by, you know how I feel

It’s a new dawn
It’s a new day
It’s a new life for me, yeah
It’s a new dawn
It’s a new day
It’s a new life for me
Woo-woo-woo-woo-woo
And I’m feeling good

Fish in the sea, you know how I feel
River running free, you know how I feel
Blossom on the tree, you know how I feel

It’s a new dawn
It’s a new day
It’s a new life, for me
And I’m feeling good

Dragonfly out in the sun
You know what I mean, don’t you know?
Butterflies all havin’ fun
You know what I mean
Sleep in peace when day is done
That’s what I mean
And this old world is a new world
And a bold world, for me, yeah, yeah

Stars when you shine, you know how I feel
Scent of the pine, you know how I feel
Oh, freedom is mine
And I know how I feel

It’s a new dawn
It’s a new day
It’s a new life for me

Oh, I’m feeling good

Melody Monday's: Tyler Childers' "All Your'n"

Melody West

I guess most people would celebrate a holiday BEFORE the date rather than after, but hey we’re just real Shane and Melody.  If we’re not late, well then, you probably told us to be there an hour and half early. That being said, I thought I’d share some love this Melody Monday after Valentine’s Day with Tyler Childers’ All Your’n. 

I’ve loved Tyler’s voice and lyrics since I first heard him several years ago.  I remember feeling then and still feeling now how listening to him feels like listening to a family member tell a story or sitting around a campfire hearing a friend tell a story.  He feels like home.

And his home and our homes aren’t far away at all.  Tyler was born and raised in Lawrence County Kentucky.  He graduated from Paintsville High School (same town as Chris Stapleton, but not the same school).  His mom was a nurse and his dad was a coal miner, something he’s wrote about in his music and spoke about frequently.  He said in an interview with Outsider, “Our whole entire economy was based around coal. Even if you weren’t directly in coal. If you were some gas station that sold biscuits and gravy on the way to a place and you were depending on all these miners going to work to stop into your station.”

We took a trip to Paintsville in this video where we show Tyler and Chris’ high schools.

Tyler has been one in the spotlight that has kept to his roots and sang about home in a way many others hadn’t since Loretta Lynn sang about Butcher Holler (which wasn’t far at all from Tyler, either).  That is something definitely to be respected in my book.  One day, we’ll get into that deeper, but for today we’ll focus on love.  If you’re in the dog house with your sweetie for not giving a gift last week, maybe share this song to win back some affection.

“So I’ll love you ’til my lungs give out
I ain’t lyin’
I’m all your’n and you’re all mine
There ain’t two ways around it
There ain’t no tryin’ ’bout it
I’m all your’n and you’re all mine”

Quick look at Tyler’s old stomping grounds.

Recipe For An Old-Fashioned Appalachian Cobbler

Shane

I love some good ol’ cobbler better than just about any other dessert out there. My personal favorite is blackberry right now – blueberry, peach, cherry and strawberry are all great too. Cobbler has long been a favorite treat in Appalachia due to the simplicity of making it and, more importantly, the availability of ingredients…not to mention the amazing taste.

Blackberry Cobbler

There are a lot of recipes floating around to make cobbler but this one is quite simple and tasty, all you need is:

1 cup of self-rising flour

1 cup of sugar

1 cup of milk

4 cups of blackberries (or other fruit)

6 tablespoons of butter

Heat the oven to 350 degrees

Melt the butter in an 8-inch (or 9×13) square baking dish

Mix the flour, sugar and milk together in a bowl then pour it over the butter evenly

Spread the blackberries (or other fruit) over the top

Bake for approximately an hour (or until you can put a toothpick in the middle and it comes out clean)

Video of the making of an old-timey Appalachia cobbler.
Many an Appalachian cook has whipped up a cobbler over time.

I love eating a bowl full while it is still hot with a little vanilla ice cream thrown on top for good measure.

Just like there’s more than one way to skin a cat, there’s numerous different ways people make their cobbler. Some people use an egg, a little lemon juice or throw in more butter – just depends on what you like. I use this recipe because it is just so simple which is great since, well, I am a man with no cooking prowess. I’d love to hear other recipes or ingredients in the comments if anyone would be willing to share.

Melody Mondays: Ain't No Grave Gonna Hold Claude Ely's Body Down

Shane

“There ain’t no grave gonna hold my body down

There ain’t no grave gonna hold my body down

When I hear that trumpet sound I’m gonna get up out of the ground

‘Cause there ain’t no grave gonna hold my body down”

Brother Claude Ely’s Album Cover.

You might not be familiar with the name “Brother” Claude Ely but if a “Mount Rushmore of Pentecostal Holiness Gospel Singers” existed then his face would most certainly be prominently displayed. The snake-handling variety of Pentecostals seem to soak up most all of the spotlight when it comes to religion in Appalachia because, well, they pick up deadly snakes, drink poison, and play with fire for crying out loud.

Having said that, the Pentecostals who don’t practice snake-handling make up a far greater number of churchgoers throughout Appalachia.

The life story of Brother Claude Ely doesn’t need snakes, poison or fire to be entertaining. Claude Ely was born in Lee County, VA, in what we Appalachians call a “holler” known as Puckett’s Creek near Pennington Gap on July 22, 1922. At the young age of 12, Ely fell ill and was given what was thought to be a fatal diagnosis of tuberculosis.

Brother Claude Ely sporting his signature gold tooth.

Despite his grim prospects, young Claude spent much of his sick time learning to play a guitar that an uncle had given him. One day during this period in his life, Ely’s family gathered around his bed to pray for him when Claude boldly proclaimed, “I’m not going to die.” Claude then began to sing a song he’d written while on what doctors presumed would be his deathbed, “There ain’t no grave gonna hold my body down! There ain’t no grave gonna hold my body down!”

Defying the terminal medical prognosis, Claude recovered from his affliction with renewed faith and a powerful message. Claude Ely would later go on to work in the coal mines of Harlan County before and after serving in the military during World War II.

Claude felt the calling to preach in 1949 and he answered the call with a fervor as he soon earned the title of the “Gospel Ranger.” Ely conducted revivals throughout Eastern Kentucky, East Tennessee, and Southwest Virginia, gaining a following due to his reputation for fiery sermons and impassioned singing.

Brother Claude Ely with a Bible in one hand and a guitar in the other.

Claude Ely had a larger than life persona as he was an imposing, husky man who sported a gold tooth while often wearing a white cowboy hat and matching white suit. As he came to each new town, Ely would drive through with a bullhorn shouting out an invitation to his tent meetings where he proclaimed attendees could “experience the fire and Holy Ghost.”

Claude Ely was approached by King Records while ministering at the Free Pentecostal Church of God in Cumberland, Kentucky, to record his singing for commercial distribution . Ely allowed recordings to be made of one of his live sermons in 1953 making him the first Pentecostal Holiness recording artist to sign with a major record label.

Claude Ely’s popularity spread even further with the release of the song he’d written as a sickly 12 year old boy. “There Ain’t No Grave (Gonna Hold My Body Down)” went on to become an anthem and a staple of Pentecostal churches for years to come. Claude Ely would spend the remainder of his life preaching fire and brimstone while singing with that same conviction to save lost souls.

Video of Brother Claude Ely singing “Ain’t No Grave.”

On May 7, 1978, Ely suffered a massive heart attack in front of the congregation at his home church of Charity Tabernacle in Newport, Kentucky (just across the river from Cincinnati, Ohio.) Ely was playing the organ and singing “Where Could I Go But To The Lord” when he suddenly fell backward midway through the song. Churchgoers began to cry out and pray over him but to no avail as Claude Ealy passed away at the age of 55.

Ely was brought back to southwest Virginia where he is buried at a cemetery in the town of Dryden in Lee County.

Although he has been gone for over 40 years, Claude Ely is still well remembered in many Pentecostal corners of Appalachia. Among Ely’s fans was one Gladys Presley, mother of a young man you might know as Elvis Presley, who is said to have brought Elvis to at least one of his tent revivals to have Ely lay hands on them in prayer. Elvis was later inspired by Ely’s version of “There’s a Leak In This Old Building/You’ve Gotta Move” to sing a rendition of the song under the name “We’re Gonna Move” for his film “Love Me Tender.”

Johnny Cash would record a version of Ely’s “Ain’t No Grave” that was released posthumously in 2010 (the song also included musical contributions by the Avett Brothers.) I am a huge fan of Johnny Cash but I can tell you that Claude Ely’s version is night and day better than Johnny’s version. I personally remember being in church as a small child thinking to myself the toddler equivalent of, “this joint is gonna start jumpin’ now” when they would start singing “Ain’t No Grave.”

If you haven’t heard the song, just watch this YouTube link in this post so you can get a sense of what it sounds like when done up-tempo. Some of our Pentecostal followers can verify my claim that this song will bring the house down when done well. I have attended numerous concerts spanning many genres of music, but I have never seen any performance that can whip a crowd into a sing-along/clap-along frenzy like a passionate rendition of “Ain’t No Grave” in a little country church deep in these hills…can I get an amen?

Melody Mondays: Doc Watson's "Sitting on Top of the World"

Melody West

What would be Melody Mondays without some Melody quirkiness? Anyone who knows me knows I’m an old soul.  I think that’s why I have such a love of history, antiques, old time music, etc. All these things run deep in our beloved Appalachia. 

The Appalachian artist I chose to feature today hails from Western North Carolina and makes me feel like I’m stepping back into simpler times whenever I listen.  Bluegrass, gospel, country, blues, and folk – all these genres have been picked and sang by the very talented, Doc Watson.

Doc was born Arthel Watson in Deep Gap, NC, just a little east of Boone.  The nickname “Doc” was given to him during a live radio broadcast when the presenter said his first name was odd and he needed a good nickname.  A member of the live audience shouted out “Doc!,” most likely from the Sherlock Holmes stories and his companion, Doctor Watson.  And the new nickname stuck!

Doc was blind from infancy, but didn’t let that stop him from exceling in the music world.  He worked chopping trees at a young age to earn money to buy his first guitar from Sears and Roebuck and drew early inspiration from the Carter Family and Jimmie Rodgers. Playing both in bands and solo, Watson won 7 Grammy Awards and a Grammy Lifetime Achievement Award in his career.

He is even responsible for Old Crow Medicine Show’s claim to fame, but that’s a story for another Melody Monday…..

The song I chose to share today is “Sitting on Top of the World.”  Originally written and recorded by the Mississippi Sheiks, I love the folksy feel Doc brings to his version.  I can listen to it and feel like whatever is going wrong, I can just relax and feel like “I’m sitting on top of the world” anyways.

A Single Photo From The Coal Boom Days That Tells A Thousand Stories

Shane

I just found this photo and I’m in love with it because this picture truly says a thousand words, as the old saying goes. 

It is from Welch, West Virginia in the 1940s. The first thing that jumped out at me was the writing on the lower left of the restaurant’s window. It says “We Cash Koppers Scrip” – a reference to the scrip issued to miners rather than cash from the Koppers Coal Company for use in their company stores to purchase food, clothing, and other basic necessities.

The “Everybody’s Lunch” in Welch, West Virginia – 1946.

Scrip was initially not transferable until the Fair Labor Standards Act of 1938 outlawed the practice, which had previously completely locked in a miner to spending the scrip in the company store without option. Local businesses took advantage of the change in law to offer cash in exchange for scrip (at a cost, of course). Of course, it wasn’t nearly as beneficial in those instances where the coal camp was so remote that the town couldn’t sustain an alternative to the company store.

The practice of using scrip was finally banned altogether in 1967. 

A piece of scrip from the Koppers Stores – this one being of the not transferable type.

Not coincidentally, the establishment lists its beer license right under that statement as beer wouldn’t have been available in the company stores. They say necessity is the mother of invention but time has revealed to me that profit must be the father of invention. Sadly, alcohol has always been a factor in the coalfields. where the men toiled long days doing backbreaking work who were often desperate for some type of escape from the pain in their bodies or the loneliness in their minds. This demand for alcohol married with local businesses cash registers to create a new way for coal miners to lose the value of their hard-earned dollars, as these scrip exchanges came with a fee.

I would also like to point out how well-dressed the gentleman is sitting on the stoop. It was an different era in so many ways – days that have truly gone by.

The coal boom has passed and the scrip system has long been a memory so it is great that folks took the time to capture these moments on camera for us all to see and learn from.